Editing your Novel – April 29

Emma Haynes

Emma Haynes

14 March 2021

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Tutorial 4 from Craft Tutorials for Fiction Writers

[/vc_column_text][ultimate_spacer height=”150″][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”45234″ img_size=”300″ alignment=”center” style=”vc_box_circle”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row full_width=”stretch_row” bg_type=”image” parallax_style=”vcpb-default” bg_image_new=”id^45600|url^https://bluepencilagency.com/wp-content/uploads/2020/12/artist-shape-01.png|caption^null|alt^null|title^artist-shape-01|description^null” bg_image_repeat=”no-repeat” bg_image_size=”initial” bg_image_posiiton=”20px 50px” seperator_enable=”seperator_enable_value” seperator_type=”tilt_right_seperator” seperator_position=”bottom_seperator” seperator_shape_background=”#ffffff” css=”.vc_custom_1608127610329{padding-top: 60px !important;padding-bottom: 200px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;}”][vc_column][ultimate_spacer height=”60″ height_on_tabs=”10″ height_on_tabs_portrait=”10″ height_on_mob_landscape=”10″ height_on_mob=”10″][vc_column_text css=”.vc_custom_1617624797077{padding-right: 20px !important;padding-left: 20px !important;}”]

Novelist David Mitchell likens a novel to an end-of-the-pier horse-race game. The rickety horses are Character, Structure, Plot, Language and Ideas: as you write they move forward but sometimes one stalls, and sometimes another surges ahead. In this series of craft workshops, we will work with individual horses in ways which should help you to bring them all over the finishing line together.

In this final Craft workshop we will think about how you might harness your horses so that you can cope with the stalls and surges and even find greater inspiration in them – and build a better novel.

 

[/vc_column_text][vc_custom_heading text=”Revising & Editing” font_container=”tag:h1|font_size:34|text_align:left” google_fonts=”font_family:Raleway%3A100%2C200%2C300%2Cregular%2C500%2C600%2C700%2C800%2C900|font_style:600%20bold%20regular%3A600%3Anormal” css=”.vc_custom_1608156749684{padding-left: 20px !important;}”][vc_separator color=”mulled_wine” align=”align_left” el_width=”50″ css=”.vc_custom_1608128490829{padding-left: 20px !important;}”][vc_column_text css=”.vc_custom_1617624299970{padding-right: 20px !important;padding-left: 20px !important;}”]All writers know that the most important stage of writing is actually the re-write. Most know that it’s about a whole lot more than tidying up the sentences – but what does that actually mean? What should you be looking for and what do you do about it?

In this two hour tutorial Emma will start with ways to think about your plot and structure, and then drill in to explore how to bring your characters to more vivid, story-driving life. The crucial issue of your narrative’s voices and dialogue comes next, then we’ll explore the power of psychic distance, before finishing with a close-up to look at how all this plays out at the sentence level.

There will be an opportunity to ask questions through the chat box and you should go away with plenty of tips for diagnosing problems, lots of tools for solving them, and a clear plan for how to set about the revising process. There will also be a handout available so that you can focus on the tutorial and not worry about having to make extensive notes.

 

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height_on_mob=”10″][dt_icon_text layout=”layout_1″ dt_text_title=”Cost:” dt_text_desc=”£42″ dt_text_content_font_style=”normal:normal:none” dt_text_custom_content_color=”#000000″ show_btn=”n” icon_picker=”Defaults-cc-paypal” dt_text_icon_size=”22px” dt_text_icon_bg_size=”50px” dt_text_icon_border_radius=”0px” dt_text_icon_border_width=”1px” dt_text_icon_color=”#2b2681″ dt_icon_bg=”n” css_dt_carousel=”.vc_custom_1608124958549{padding-left: 20px !important;}”][ultimate_spacer height=”10″][/vc_column_inner][vc_column_inner width=”1/3″ css=”.vc_custom_1591057618624{margin: 0px !important;padding: 0px !important;border: 0px initial !important;}”][dt_team_masonry post_type=”posts” img_border_radius=”0px” bwb_columns=”desktop:1|h_tablet:1|v_tablet:1|phone:1″ post_title_font_style=”normal:normal:none” post_title_font_size=”28px” custom_title_color=”#0a0a0a” post_title_bottom_margin=”5px” team_position_font_style=”normal:normal:none” team_position_font_size=”20px” team_position_color=”#7c7c7c” 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Assistance to writers on low incomes and/or from communities under represented in publishing

We are offering a free place on each of our online tutorials and Q & A sessions for UK based writers on low incomes and/or from under represented communities in publishing.

Writers may apply for a free place on one of the sessions by contacting BPA with a short bio and a summary of their writing career to date.

Please click here to Contact BPA with your application and in the case of writers on low incomes, proof of financial eligibility such as: Jobseeker’s Allowance; Disability Benefit; Income Support; Working Tax Credit; Child Tax Credit; Proof of being a full-time student; Housing benefit; Proof of being a full-time carer.

All details will be kept confidential. Decisions on who receives the free places rest with the BPA team not the tutors.[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_basic_grid post_type=”post” max_items=”5″ element_width=”3″ gap=”5″ grid_id=”vc_gid:1638056089358-f76c3f86-4146-8″ taxonomies=”333″][/vc_column][/vc_row]

Emma Haynes

Emma Haynes

Emma is responsible for BPA’s bespoke programme of literary events and retreats as well as managing the First Novel Award and submissions to literary agents. With a background in communications and special events she has an eye for detail and a desire to give writers the best possible experience in an imaginative programme of events. Her retreats at Asthall Manor, the childhood home of the Mitford sisters with guest tutors including Tessa Hadley and Claire Fuller have set a new benchmark in literary experiences. The First Novel Award now in its third year has proved remarkably successful for writers with five of the 2018 shortlist gaining agent representation. With an up to date knowledge of what literary agents are looking for, Emma offers a reading service and advises writers with a polished manuscript which agents to approach and how best to ensure your work gets read. She also contacts agents on behalf of writers where there is a potential match.

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