We are delighted to reveal the winners of the BPA Pitch Prize 2022. The standard of submissions was incredibly high. Our judge, literary agent Hattie Grünewald, and the team at BPA felt honoured to read so many compelling stories and promising pitches, and it was difficult to make the final selection. The nine winners will…
Competition for unagented writers looking for representation for a work of fiction.
Judge: Hattie Grünewald, Literary Agent, The Blair Partnership
Prize: Up to 10 winners:
Pitch your novel to Hattie. Editorial feedback and recommendations. Industry insights and advice on next steps.
A recording of a live Q & A session with Hattie in which she talks in detail about what she’s looking for and gives tips on agent submissions may be purchased by clicking here.
First 500 words of your opening chapter
300 word synopsis
Online entry via BPA website.
Entries Open: August 1, 2022
Entries Close: November 6, 2022
Judging: November/December 2022
Prize: One to One Pitch Meetings with Hattie on zoom for up to 10 winners in January/February 2023.
From PayPal, you will be redirected to the submission form.
Before entering, please ensure to familiarise yourself with the Rules, Terms and Conditions, and Privacy Policies. Entering the BPA Pitch Prize is taken as your full agreement.
This year we are offering a minimum of 10 free entries for UK based writers on low incomes or from communities currently under-represented in publishing.
Applications will be reviewed and the most promising submissions will be selected by the BPA team.
Please click here to Contact BPA with your application and, if relevant, proof of financial eligibility such as: Jobseeker’s Allowance; Disability Benefit; Income Support; Working Tax Credit; Child Tax Credit; proof of being a full-time student; Housing Benefit; proof of being a full-time carer.
All details will be kept confidential.
Hattie Grünewald is an agent at The Blair Partnership. She represents commercial and upmarket fiction, including women’s fiction, crime and thriller, historical and book club fiction, as well as some non-fiction in the areas of lifestyle and personal development. Before joining The Blair Partnership she spent six years at Blake Friedmann agency. In 2020 she was a Bookseller Rising Star, and won Agent of the Year for the Romantic Novelists’ Association.
Hattie’s Tips for Entrants
“The first five hundred words are the hardest working in the whole novel – they are essential in hooking everyone from agent, to editor, to sales team, booksellers and book buyers. After the cover and blurb, most readers will read the first page before deciding whether to buy the book. I’m looking for a strong voice and a gripping opening, with arresting characters and a well-established setting. The synopsis should concisely outline your plot, but mostly I’ll be looking for a first page that really sings.”
The meetings will take place on zoom or skype at a mutually convenient date in January or February 2023
Not necessarily. The Prize offers a chance to pitch your story and get editorial feedback and industry insights. There is no obligation for Hattie to take on any of the winners, although she might invite you to submit directly to her once the novel is finished.
Yes, as long as you don’t have an agent.
Yes, as long as you’ve written the first 10,000 words and you have a clear synopsis so you know where the story is heading.
The one on one sessions will be arranged at a mutually convenient time during January or February 2023 and can take place on zoom or by skype. It is unlikely that Hattie will be able to commit outside of this timeframe.
You may submit more than one entry but they need to be submitted and paid for individually.
“Entering the Pitch Prize has proven to be a wonderful experience. Not only did winning it give me a much-needed morale boost, but Blue Pencil Agency’s continued support and an introduction by Emma Haynes eventually led to me signing with my wonderful agent, Charlotte Seymour of Johnson & Alcock. To anyone unsure of entering: bet on yourself and your writing, and know that you will be in a safe pair of hands with the Blue Pencil Agency team.”
Amy was a Pitch Prize 2021 winner with the opening of her novel, The Mouth That Swallows. She was also longlisted for the First Novel Award 2022.
read more
Thank you so much for your help again, it’s lovely to feel supported in this process & I’m sure having the BPA pitch prize on my cv helped me get these agent offers so thank you for that as well!
Pitch Prize Longlist 2020
I love the BPA competitions for the following reasons:
1. The BPA team’s creative spirit and enthusiasm – sharing success stories that motivate and inspire writers on their journey.
2. The competitions are open to writers worldwide.
3. The competition includes the cover letter in the ‘submission package’. (Most competitions don’t include this but I enjoy the opportunity to pitch the novel and include comparisons and why the writer feels passionate about their story.)
4. The professional and personal response to queries.
I entered the BPA First Novel Award having never properly shared my fiction with anyone before, and not really knowing what to expect. It was without a doubt the best twenty quid I’ve ever spent.
First making the longlist — and then the shortlist! — was such a huge vote of confidence in my writing style and the story I was trying to tell with Brotherhood and to actually win was unreal. It helped not just in cementing my confidence in my writing (and silencing my imposter syndrome) but it also inspired me to keep working on my manuscript and to stick to deadlines when it came to editing.
Winning during the pandemic made things feel even more unreal, but even though I couldn’t meet the Blue Pencil team in person, I felt incredibly supported and involved and was then able to meet one of the judges, FBA’s Carrie Plitt, over Zoom to discuss my manuscript. Carrie’s continued guidance and expertise (and the depth of feedback of the rest of the BPA First Novel Award judging team) was really invaluable and helped me to see my work through a new perspective, whilst supporting me to get it ready for publication.
I am over the moon to now be signed to FBA with Carrie, and I cannot wait to see where things go next. Without sounding too cliche, it really does feel like a new beginning in terms of publishing Brotherhood and in my fiction career, and I am so pleased I decided to enter last year. It really has been an incredible experience from start to finish.
Roisin Lanigan was the winner of the 2020 Award for Brotherhood. She is represented by Carrie Plitt
I am emailing to thank you so much for taking a chance on me and telling Marina de Pass about my novel, The Silence Project. As of this week, Marina is now my agent and I am thrilled!
Because the novel was shortlisted for The Bridport Prize and was my London Library Emerging Writer submission, it was also seen by agents at A.M.Heath, but Marina has given me such brilliant feedback and encouragement that I have no doubt that she will be my ideal agent.
It’s all because of you. And the novel didn’t even make the longlist for the BPA First Novel Award, so doubly thank you for making the introduction.
“I was two months into maternity leave with my second child when I decided to enter the Blue Pencil Agency First Novel Award. Maybe that’s not the obvious time to write a novel, but the competition offered me everything I needed to make that £20 investment in my writing; a deadline to work towards, an achievable word count, and the chance to have my work read by an agent with a fantastic reputation. Making the longlist was a huge vote of confidence. It inspired me to work harder. To actually win felt unreal. Before I knew it, I was taking my baby boy on a trip to London to meet the lovely BPA team. Nelle Andrews not only offered me valuable feedback but signed me as a client, which is truly a dream come true. Now, I’m excited to be working towards finishing the manuscript with a view to submitting it to publishers. I’ll always be grateful that the award prompted me to take that important first step.”
Katy McNair was the winner of the 2019 Award for her speculative novel The Price of Blood. She is represented by Nelle Andrew
read more
“Entering the Blue Pencil Agency First Novel Award has taken my writing life to a higher level. Self-doubt had stopped me before but just submitting something I thought had potential gave me satisfaction. The excitement of reaching the long list was only tempered by the discipline of the next deadline but then surpassed by the thrill of seeing my name on the short list and finally achieving Highly Commended. I was astounded to hear that agent Nelle Andrew wanted to meet me and elated to then sign with Nelle and begin editing my debut novel. Without the fantastic opportunity the Award offered I would not be on course to achieve my dream so everyone at Blue Pencil has my gratitude.”
Neil was Highly Commended and shortlisted for the 2019 Award. He is represented by Nelle Andrew of Peters, Fraser + Dunlop
I entered the Blue Pencil First Novel Award in 2017. The deadline provided me with much needed motivation, and the thrill of being placed was a great morale- booster. It gave me the confidence to submit my work to an agent and now that my novel The Oceans Between Us published by Headline, I realise how much gratitude I owe the agency for recognising its potential.
“Winning the Award marked a real breakthrough in my writing life. The slightly overwhelming news that I had won first prize (I found myself shaking uncontrollably!) was followed by an exciting week involving a London photo-shoot with the judges, and the sight of my face in The Bookseller. The lovely Blue Pencil Agency team gave me the chance to meet the judges and to talk about my novel in some depth with agent Eve White. This was a fantastic opportunity and one that is rare in the writing prize world. Winning the Blue Pencil Agency competition gave me confidence that my novel is a good one and this, I would say, is the most valuable reward an aspiring writer can get.” February 2018.
Carolyn’s debut novel The Conviction of Cora Burns is out now. Her second novel When We Fall is coming in May 2020. She is represented by agent Andrew Lownie.
“Unless I ever buy a winning lottery ticket the entry fee to the Blue Pencil First Novel Award will be the best investment of £20 I’ll ever make. Each stage has given me so much: the energy of a deadline to complete the first draft; the confidence boost of reaching the long list; the heady excitement of the short list announcement (coinciding with my birthday!) And now the thrilling opportunity to discuss my work with Madeleine Milburn and take the first steps towards launching my writing career. My heartfelt thanks to Sara, Emma, Fiona and Maddy.” December 2018
Jules is represented by Madeline Milburn. She is working on her debut novel My Poor Deluded Girl.
